First, it’s listening.

My work deals with the attempts we make to relate to beings, voices and forms of knowledge whose languages cannot be fully understood, approaching translation not as the transfer of fixed meanings, but as a process of imitation, transformation and encounter.

The body occupies a central place in my research. Shaped by a background in dance and by oral and embodied knowledge transmitted through my family, I develop situations in which listening becomes physical: one listens, moves, breathes, sings, touches, responds, resonates… Very often, I play with forms such as altars, landscapes, ceremonies, or vernacular dances, creating spaces where different forms of knowledge can meet without necessarily becoming one another.

Bringing together questions of language, transmission, ritual and more-than-human relations, I like to speculate on what might emerge from encounters between different forms of life: new ways of listening, new forms of communication, and languages that have yet to be imagined.